John & George 2013 after John Hunter c1789 is
slowly coming together....the wings are the latest challenge
and, as I'm sure I've said before, each time I finish a work in
this vein I think, never again with the tiny, tiny fragments...
but here I am again making another painstaking
assemblage from tiny fragments of reclaimed textiles.
And it is these textiles, made lovingly and painstakingly by
anonymous others - from different eras, continents and cultures -
that keep my commitment to the process alive. The textiles speak
to me and hopefully to the work's audience.
to me and hopefully to the work's audience.
The Kings hand - in the original painting, Hunter's
King offers the bird two European cherries. I've added a
Bottlebrush (Callistemon) flower and some kind
of berry, both exquisitely cross-stitched...
of berry, both exquisitely cross-stitched...
my studio table, with exquisite French Chantilly lace and
other fragments, past and present. The lace was sent to me recently
from a 'fan' in France, along with 2 kilos of other vintage
embroideries and lace! The book below my journal is "A Brush with Birds"
by Penny Olsen, National Library of Australia - the original source of
inspiration for the Sanctuary Collection.
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